展覽預告 Upcoming

晉見山明-塵三個展
Where the Mountain Reveals Itself -
Chen San  Solo Exhibition

展期Exhibition︱2026.9.12~ 10.28
藝術家親自出席開幕茶會 
開幕 Opening︱2026.9.12 (Sat) 3:00pm 

(週一公休)  13:00-20:00
電話 Tel︱886-2-23579900
網址Web︱//www.inriver.com.tw/
臉書Facebook︱//www.facebook.com/InRiverGallery

      全球經濟波動不安，社會現狀持續滋生集體性的不安，同時AI技術以前所未有的速度重塑創作、身份與存在意義的邊界。當世界愈來愈快速，我們是否也愈來愈少停下腳步，凝視一座山、一片雲，或傾聽內心深處的聲音？2026年下半年，藝術家塵三帶來全新個展《晉見山明》，邀請觀者暫離螢幕與演算法構築的世界，以謙卑而莊重的姿態，重新親近那片始終靜默等待的山水。

《晉見山明》並非一場單純描繪自然景致的山水展覽，而是一段回望自然、回望自我的精神旅程。「晉見」一詞，在東方文化中意指懷抱敬意而前往相見，它所抵達的不只是空間，更是一種精神性的相遇。在現今AI加速演變之際，世界似乎朝著有利的方向蓬勃發展，但同時人心卻也浮動不安。此時塵三認為，人們更需要重新學習人與世界及自然萬物之間的關係，並從山代表的”堅定性”象徵意義，尋回內心的安定與穩固性。此次展覽以「晉見」為題，邀請觀者暫時卸下科技的焦慮，放下日常的喧囂與匆促，走入塵三筆下的山色天地，在觀看之中重新感受自然，也重新凝視自身。

東方文化中的山，不僅是地景，更象徵人格、時間與精神的厚度。它沉靜而堅定，歷經四時流轉依然屹立；水則柔軟包容，順應萬物而生生不息。山與水相依共生，共同構築出東方美學中陰陽平衡、天地和諧的生命觀。塵三以鮮明的色彩、富有張力的筆觸，融合水墨的氣韻與油畫的空間語彙，在抽象與具象之間開展出獨特的山水視域。四季流轉、晨昏光影、山嵐雲氣，不再只是自然景象，而成為一處「可行、可望、可遊、可居」的精神場域。每一道山勢、每一抹雲煙，都彷彿為觀者留下一條走向內心的路徑，使觀看成為一場與自然共鳴、與自我對話的歷程。

《晉見山明》是一場關於山水的凝視，更是一場關於當代處境的思考。在這裡，山不只是山，水不只是水；它們映照著人的情感、記憶與生命狀態。當我們願意放慢腳步，以敬畏之心晉見山明，也許終將發現，真正抵達的並非一處風景，而是一種重新安放心靈的位置。如同行路者穿越蜿蜒山徑，在低首前行之際，忽然抬頭望見豁然開朗的山光雲色，感受那一瞬間的心境轉折。神與生命力量，晉見山明，也是在晉見自身，照見光明本性。

As global economic fluctuation, society continues to breed collective anxiety. While AI technology reshapes the boundaries of creation, identity, and existence at an unprecedented pace. As the world moves ever faster, do we still pause to gaze at a mountain, a passing cloud, or listen to the quiet voice within? In the second half of 2026, artist Chen San presents his new solo exhibition, "Where the Mountain Reveals Itself," inviting viewers to briefly step away from a world built by screens and algorithms, and to approach the natural landscapes that have always been waiting with humility and reverence.
"Where the Mountain Reveals Itself" is not simply an exhibition depicting scenic landscapes; it is a spiritual journey of looking back toward nature, and toward the self. In East Asian culture, the term "audience" (晉見Jìn-jiàn) carries the sense of approaching someone with reverence and respect. What it ultimately reaches is not merely a physical space, but a spiritual encounter. As AI accelerates its transformation of the world, society appears to be advancing toward a promising future, yet the human heart grows increasingly restless. Chen San believes people need to reconsider the relationship between humanity, the world, and all things of nature—drawing from the symbolic steadfastness of the mountain to rediscover inner stability and grounding. Taking "audience" as its theme, this exhibition invites viewers to set down the anxieties for a moment, and release the noise and haste of daily life, and to step into the landscapes rendered through Chen San's brush—rediscovering nature through the act of looking, and in turn, gazing anew upon the self.
In East Asian culture, the mountain is more than mere landscape. It embodies character, the weight of time, and spiritual depth. Steadfast and unmoving through the changing seasons, it stands in contrast to water, which is soft, yielding, and endlessly adaptive, flowing ceaselessly onward. Mountain and water exist in mutual dependence, together forming the East Asian cosmological vision of yin-yang balance and harmony between heaven and earth. Chen San employs vivid color and forceful brushwork, fusing the rhythmic quality of ink wash with the spatial language of oil painting, opening up a distinctive vision of landscape that moves between the abstract and the figurative. The turning of seasons, the shifting light of dawn and dusk, the mist and clouds that drift across mountain ridges. These are no longer mere scenery, but become a spiritual field that can be "traveled through, gazed upon, wandered in, and dwelled within." Each ridge, each wisp of cloud, seems to leave behind a path leading inward, transforming the act of viewing into a journey of resonance with nature and dialogue with the self.
"Where the Mountain Reveals Itself" is a contemplation of mountains and waters, but more than that, it is a reflection on the condition of our present age. Here, mountains are not merely mountains, and water is not merely water. They mirror human emotion, memory, and the state of being. When we choose to slow down and hold an audience with the mountain, with a heart full of reverence, we may ultimately discover that what we truly arrive at is not a landscape at all, but a renewed place to settle the spirit. Like a traveler winding through a mountain path, head bowed in quiet progress, who suddenly looks up to find the mountain light and drifting clouds opening into vast clarity, and feels, in that fleeting instant, a shift within the heart. This is spirit, and the force of life. To hold an audience with the mountain is, ultimately, to hold an audience with oneself—and to glimpse one's own luminous, original nature.