賴冠仲Lai Kuan Chung

賴冠仲,1982年次,師事台灣著名雕塑家余燈銓老師,後創立入矩雕塑工作室。

賴冠仲的創作來自於生活中以及大自然的靈感,將人與人之間的相處、大自然給人的美好感動,化為造型圓融、適合多角度觀賞的半抽象雕塑作品。在視覺的美感之外,其作品更以不同的材質與肌理喚起觀者觸覺與溫度的感受。尤其是信義誠品造成轟動的“把噗

賴冠仲關注作品與外界的互動,並善用不鏽鋼材質的鏡面反射,展現人與人之間的關係,其作品的抽象造型,大多取材於生活中。例如大自然的光線、動植物的特性或移動時的時間感、雲、山、海等等自然元素。賴冠仲將自身的感知經驗疊合在一起,再透過直觀的、個人化的語彙形塑作品。也就是說,賴冠仲的立體造型,並非是單一主題的詮釋。而是擷取了大大小小的感知經驗後,將它們統合、進一步地具體化。

賴冠仲為各大建案創作大型雕塑,為人所津津樂道的有 “朵朵”、 “點水”等;此外,他在台灣及中國多個城市展出大型公共雕塑,如日前於信義誠品造成轟動的“把噗”、 台中清泉崗機場“瑞德兔”、台中勤美誠品“月亮熊”等。為因應一般民眾的收藏需求,特製作限量版的小型雕塑作品以饗廣大愛好者。


 
Lai Kuan Chung's sculptures are inspired from life experience and nature. Using metal materials to transform the relationships between people and the beauty of nature into smooth shaping semi-abstract sculptures. One of his most representative works include the large-scale fallen ice cream sculpture in front of Eslite Xinyi Store in Taipei.
 
Lai Kuan Chung uses the mirror reflection of stainless steel to show the relationship between people. The abstract shapes of his works are mostly drawn from life. For example, the light of nature, the characteristics of animals and plants or the sense of time when moving, clouds, mountains, seas and other natural elements. Lai Kuan Chung superimposes his own perceptual experience, and then shapes his works through intuitive and personal vocabulary.