展期 Exhibition︱2020.03.07 ~ 2020.04.30
地點 Venue︱穎川畫廊 In River Gallery：台北市中正區仁愛路一段45號2樓
破曉的第一道曙光照亮大地，迎來光明與希望。和煦的陽光遍灑各處丶疏影搖曳婆娑，一切充滿著和諧與美好，這是藝術家為大家帶來祈福的希望。
塵三 Chen San / 紫竹調 Purple Bamboos
紙上彩墨 Colored ink on Paper 75x47 cm 2019
塵三一直以來的創作，皆不離於他的本心與實踐，其創作理念源於其對中觀應成派的體悟，即破即立不執任一法的思想，「應成」即隨應而破之義。中觀應成派的勝義諦談的不是從事物的現象上來觀察，而是從事物的本質、性（自性）上來觀察。超越於眼前的表象，探討現象背後的本質，這是藝術家超前的眼光，簡言之就是一種不斷地從內心世界去呼應外在達到轉化的創作過程。在此「應」指的是「即象」，也是一種當下心靈的創作狀態，身心合一的創作精神；進而「成」: 成就變化萬千的諸多形象。所以「應成」也指藝術家面對當前環境下，保持一種不即不離的創作態度，以及對人與社會的關懷。
塵三 Chen San / 難不亂 Stay Calm
水墨紙本設色 Ink and color on Paper 78x71 cm 2019
特別的是，在這次展出的水墨作品中帶入絢爛的金色，酣暢淋漓中透出瀟灑、自由與高貴的氣質，清麗中帶有舒曠，寫意中又充滿奇譎，卻又不乏清朗之氣。塵三運用其長期浸潤書、印的蒼勁之力，在似斷還續的起承轉折中，成就一幅幅空水際天，雪殘青岸，雲平野闊的回蕩的空間，空寂卻又不失跌宕起伏。其作品內在的張力，使得靜態的畫面跟著觀者心靈感受的那一刻昇揚起來，帶給人心靈舒坦情暢的樂和之氣。
塵三 Chen San / 曉礹 Mountains at Dawn
油畫 Oil on canvas 80x100 cm 2020
而在油畫的創作上，可從作品中感受到生命力不斷勃發的升騰之勢，色彩濃烈、情感真摯而強烈。在氤氳濕潤的光影中，偶爾可以察覺到與水墨畫相似的繪畫語言，但細觀之又不是僅止於抒情，內在的激情幾乎要強烈的迸出畫面外。這是畫家內在的人格力量表達的一種豪邁激昂。千山獨行亦不悔，衝撞著每個人不應固守框架的省思。塵三長年保持著關注社會時勢的變化，同時對於資訊進行反思，以一己之身做為社會與文化縮影的長期實踐。即便是畫面上的神來一筆，都不只是心隨意轉的簡單表達，而是早已將各種思辯內化於心中，並以最樸直的方式呈現而出的繪畫成果。
此次塵三個展，將其長年對社會、文化、世界脈動的觀察，用最純粹素樸的本心化為筆端的種種心相呈現。精彩可期 !
Chen San’s creations have always been inseparable from his original intention and practice. His creative concept originates from his understanding of the Madhyamaka Prasangika school, which is the idea of breaking down and establishing without clinging to any one dharma. “Prasangika” means breaking down according to the situation.
Within this philosophical framework, the pursuit of ultimate truth transcends observable phenomena, focusing instead on the intrinsic nature or essence (svabhāva) of all things. By looking past superficial appearance to investigate the underlying reality, the artist demonstrates a visionary perspective where creativity serves as an ongoing dialogue between the internal self and the external environment, ultimately resulting in transformation.
In this framework, “responding” (ying) denotes an intensive involvement with phenomena, characterising a mode of instantaneous and attentive artistry where physical and mental aspects operate in union. This process culminates in “becoming” (cheng), which is the realisation of a wide array of fluid and shifting forms. As a result, “Prāsaṅgika” signifies the creator’s engagement with the present, maintaining a balanced perspective of neither fixation nor indifference, while expressing a sincere commitment to the well-being of both humanity and the community.
In this context, “responding” (ying) signifies an active “engagement with phenomena,” representing a state of spontaneous, conscious artistry where the mind and body function as one. This process leads to “becoming” (cheng), the manifestation of ever-evolving forms and expressions. Consequently, “Prāsaṅgika” embodies the creator's relationship with the now, upholding a position of neither fixation nor apathy, while demonstrating a profound commitment to both society and the human condition.
A particularly remarkable feature of this exhibition is the integration of luminous gold into the ink paintings. This addition infuses the bold, untethered brushwork with a refined air of nobility and liberation. These pieces strike a balance between expansive grandeur and delicate clarity, appearing both evocative and strangely mysterious while maintaining a clean, spiritual freshness.
Leveraging the robust vitality developed through a lifelong dedication to calligraphy and seal engraving, Chen San constructs evocative environments where the horizon meets the water, snow rests upon verdant banks, and clouds blanket the wide plains. These settings possess a quietude that is nevertheless animated by a rhythmic cadence. The inherent tension within his art ensures that these quiet compositions vibrate with life the moment they are observed, offering the viewer a profound sense of emotional liberation and spiritual harmony.
In his oil paintings, one can sense an ever-surging vitality, a rising force of life that continuously unfolds. The colours are rich and intense, and the emotions sincere and powerful. Within the misty, moisture-laden interplay of light and shadow, one may occasionally detect a visual language akin to that of ink painting; yet upon closer observation, the works go beyond mere lyricism, or the inner passion seems almost to burst out of the canvas.
This is a bold and unrestrained expression of Chen San’s inner strength of character. To walk aline across a thousand mountains without regret, his work challenges each viewer to reflect on the danger of clinging to rigid frameworks. Over the years, Chen San has remained attentive to the shifts in the social and political landscape, while also critically reflecting on the nature of information. He uses himself as a long-term embodiment of society and culture. Even what appears to be a spontaneous, inspired brush stroke is not merely a casual expression of impulse, but the result of deeply internalised contemplation, ultimately rendered in the simplest visual form.
This solo exhibition brings together Chen San’s extensive observation of society, culture, and the rhythms of the world, turning them into simple, heartfelt images through his brush. Definitely something to look forward to!